探究两位摇滚乐先驱约翰尼·约翰逊（Johnnie Johnson）和他在1952年聘请的吉他手查克·贝里（Chuck Berry）之间的音乐关系。

When a reclusive young woman receives an invite to her estranged friend's birthday party, she spends an entire day obsessively preparing herself to go. However, an emotional phone call with her mother derails her plans and leads her back into her usual self-destructive cycle of behavior.

An amiable slacker decides to do good in the world. Things don't go to plan.

Daniel is a performance artist. Everything is going great with his new girlfriend Maggie, until his best friend convinces him to use her as the subject of their latest art piece.

A comedy adventure of Big Boy, age two. Wears a derby and adult dress shoes.

A Christmas themed violent short film directed by Ully Fleischer.

In this exclusive first person account, Johnnie Ashe will relay this previously unknown chapter of his brother Arthur's legacy. Johnnie, five years Arthur's junior, returned from his first tour in Vietnam with the Marines. At the time, Arthur Ashe was a lieutenant in the Army working at West Point in data processing while fast becoming a rising star in the tennis world. When Johnnie was sent home however, Arthur suddenly became in danger of being sent to Vietnam. Johnnie volunteered to be sent back to the war in his brother's place so that Arthur could continue his budding tennis career. Johnnie would return home, and Arthur would go on to win the inaugural 1968 U.S. Open en route to a Hall of Fame career in tennis, made possible by his brother's selflessness.

On Johnnie Talk, our host Johnnie (who's face is never seen) has a short talk show. The difference being he does his business (pun intended) in the bathroom of Nickelodeon Studios. He interviews and plays games with various staff members of Nick's greatest Nicktoons. Games such as "Name that Nicktoon", "Guess how many tiles" and "Can you sing it" keeps the guest on their toes and the audience entertained.

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A festival is a concentration of hope. Audiences hungering for something startingly new, famously familiar or just plain "good". Actors hoping their well-conceived sincerity and ritual entrances have that special glow. Press and critics poised to love or hate lucidly. And proud, desperate filmmakers looking for that little blessing on their latest self-projection. All squeezing together for a few days, in a few rooms wondering whether this will truly be the perfect place at the perfect time. Of course, it rarely is. Mostly it's just a collection of almosts. Delicious, shared almosts.